Films normally start at 7.30pm in The Guildhall of St George, King Street. Members and their guests can sign in from approx 7pm.
Forthcoming Film Dates for your Diary
▓ We are delighted to once again be working in partnership with the King’s Lynn Festival and have arranged these films as part of the Festival. Tickets for these films will be £4 for members and £5 for the public and will be available from the Corn Exchange. Details have been sent to you on how to purchase at the reduced rate.
Thu 8th Jan – CHEF
▓ Sun 18th Jan 2.30 – THE KID + CHAPLIN
Thu 12th Feb 6.30 – PRE-FILM TALK
NORFOLK AT THE PICTURES
Thu 12th Feb 7.30 – THE THIRD MAN
▓ Tue 10th Mar 2.30 – MR TURNER
Thu 12th Mar
Thu 9th Apr – IDA tbc
Thu 14th May
Thu 11th Jun
Thu 9th Jul
Thu 13th Aug
Thu 10th Sept
Thu 8th Oct
▓ Thu 22nd Oct
Thu 12th Nov
Thu 10th Dec
Thursday 8th January 7.30pm
(2014) 114 mins Cert 15
Drama, Comedy — Strong language, moderate sex references
Cast includes Jon Favreau, Robert Downey Jr., Sofia Vergara, John Leguizamo, Scarlett Johansson, Oliver Platt, Bobby Cannavale, Dustin Hoffman
Chef Carl Casper (Jon Favreau) suddenly quits his job at a prominent Los Angeles restaurant after refusing to compromise his creative integrity for its controlling owner (Dustin Hoffman), he is left to figure out what’s next. Finding himself in Miami, he teams up with his ex-wife (Sofia Vergara), his friend (John Leguizamo) and his son to launch a food truck. Taking to the road, Chef Carl goes back to his roots to reignite his passion for the kitchen — and zest for life and love.
Sunday 18th January 2.30pm
The Kid + Chaplin
2.30pm The Kid
6.00pm Finish & meal at Riverside
Comedy Drama (1921) 52 mins Cert U
Director: Charlie Chaplin
Stars: Charlie Chaplin, Jackie Coogan, Edna Purviance
In Charlie Chaplin’s first feature-length comic masterpiece, a poor, good-hearted loner finds a kidnapped baby and “adopts” it as his own. Years later the devoted “father and son” are threatened by meddling social workers, until the climactic return of his real mother smooths out things for all, including our hero.
(1992) 139 mins Cert 15
Contains strong language and moderate sex references
Director: Richard Attenborough
Stars: Robert Downey Jr., Geraldine Chaplin, Paul Rhys
Partly based on Charlie Chaplin’s My Autobiography, this humorous and dramatic biopic features an all-star cast including Oscar nominee Robert Downey Jr., Dan Aykroyd, Anthony Hopkins, Kevin Kline, Diane Lane, and Chaplin’s real-life daughter, Geraldine Chaplin, who portrays his mentally ill mother. With the use of flashback, an elderly Chaplin discusses his autobiography with his editor (Hopkins), who urges him to be more vulnerable and emotionally honest with his memoirs while journeying through his poverty-stricken childhood, closest friendships, many marriages, merciless pursuit by J. Edgar Hoover (Kevin Dunn), and ingenious invention of “The Little Tramp.” Highlighted works such as The Gold Rush (1925) and The Great Dictator (1940) illustrate significant turning points in Chaplin’s prolific filmography. Director Richard Attenborough’s film also explores the circumstances surrounding Chaplin’s exile from America and his eventual return to receive an honorary Academy Award.
Thursday 12th February 6.30pm
Norfolk at the Pictures
Norfolk at the Pictures is a Heritage Lottery Funded project to collect and share memories of cinema going in Norfolk. Join Marc Atkinson from Norfolk at the Pictures to hear the stories and see the photographs the project has collected so far. There will also be the opportunity to watch some short archive films of cinemas and cinema-going in the region. You can get involved in the project as well by bringing any photographs, programs or stories to scan or record. The best stories could make it into a documentary film, magazine and website that are currently being produced. Visit www.norfolkatthepictures.org.uk for more details.
Thursday 12th February 7.30pm
The Third Man
Film Noir (1949) 104 mins Cert PG
Director Carol Reed
Cast includes Orson Welles, Alida Valli, Joseph Cotten, Trevor Howard, Bernard Lee, Joseph Cotton, Valli, Paul Hoerbiger, Ernst Deutsch, Erich Ponto, Siegfried Breuer, Hedwig Bleibtreu, Wilfrid Hyde-White, Geoffrey Keen
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime — and thus begins this legendary tale of love, deception, and murder. Thanks to brilliant performances by Joseph Cotten, Alida Valli, and Orson Welles; Anton Karas’s evocative zither score; Graham Greene’s razor-sharp dialogue; and Robert Krasker’s dramatic use of light and shadow, The Third Man, directed by the inimitable Carol Reed, only grows in stature as the years pass.
Tuesday 10th March 2.30pm
(2014) 149 mins Cert 12A
Contains moderate sex, sex references
Twice before, first with ‘Topsy-Turvy’ and then with ‘Vera Drake’, Mike Leigh has punctuated his bittersweet studies of contemporary life with period dramas. Now, with ‘Mr Turner’, the British director of ‘Naked’ and ‘Secrets and Lies’ takes us back to the nineteenth century and the later years of the celebrated, groundbreaking, difficult painter JMW Turner (1775-1851). Sad and joyful, ‘Mr Turner’ offers a wonderfully rich tapestry of experience and digs deeply into a complicated, contradictory life.
Timothy Spall — a veteran of Leigh’s films — plays this eccentric, determined London bohemian like a bronchial, cantankerous, randy old toad with backache. He grunts and grimaces and gropes his way through life. He talks like a market trader after a crash course in the classics. Leigh, meanwhile, explores Turner’s life unburdened by any sense of purpose other than an intense, contagious fascination with this man, his work, his times and, increasingly, the inevitable, slow, irresistible trudge towards death.
We observe Turner’s fondness for his elderly father; his sexual relationship with his meek housekeeper (Dorothy Atkinson); his rejection of his children and their mother; his arms-length acceptance by the lions of the Royal Academy; his late-life relationship with a Margate widow (Marion Bailey); and the mockery of the crowd when his work turns experimental. ‘Vile’ and a ‘yellow mess’ concludes Queen Victoria at an exhibition: the presence of royalty in a Mike Leigh film is just one of its many welcome surprises here. Mortality hangs heavily over ‘Mr Turner’, which covers roughly 25 years and is a poetic, brilliantly choreographed patchwork of moments and episodes. The film often has a wistful, regretful air, but alongside sadness sits great joy — there are moments of wicked humour.
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